[PDF.96wp] Figure and Likeness: On the Limits of Representation in Byzantine Iconoclasm

Figure and Likeness: On the Limits of Representation in Byzantine Iconoclasm

[PDF.no80] Figure and Likeness: On the Limits of Representation in Byzantine Iconoclasm

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 | #992388 in Books |  Princeton University Press |  2002-10-13 | Original language:English | PDF # 1 |  .96 x6.96 x10.64l,2.03 | File type: PDF | 208 pages

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|| |"Lucid, concise, and accessible even to nonspecialists."--Bissera V. Pentacheva, CAA s| |

"There has not been a good general overview of Byzantine iconoclasm and image theory from the point of view of art history. Charles Barber has

Figure and Likeness presents a thought-provoking new account of Byzantine iconoclasm--the fundamental crisis in Christian visual representation during the eighth and ninth centuries that defined the terms of Christianity's relationship to the painted image. Charles Barber rejects the conventional means of analyzing this crisis, which seeks its origin in political and other social factors. Instead, he argues, iconoclasm is primarily a matter of th...

You can specify the type of files you want, for your device.Figure and Likeness: On the Limits of Representation in Byzantine Iconoclasm   |  Charles Barber. Just read it with an open mind because none of us really know.

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